New Kids On The Block Stage Comeback
After months of speculation and rumor, the Kids are coming back. A well-placed source tells PEOPLE exclusively that New Kids On The Block are indeed getting back together.
The band's Web site, www.nkotb.com, which had been dormant, is now back up and running in anticipation of the official announcement, which the source says will be made in the next few weeks.
The site currently features a television graphic with a fuzzy, flickering photos of NKOTB in their heyday, and a link inviting fans to sign up for info.
The boy band, which made legions of tweens swoon in the early '90s, selling more than 50 million albums, became a worldwide phenomenon before calling it quits in 1994.
Eighteen years later, they're still "Hangin' Tough." The oldest "Kid," Jonathan Knight, now a real estate developer, will turn 40 later this year. Since the band's demise, former members Donnie Wahlberg, 38, and Joey McIntyre, 35, have seen acting success, while Danny Wood, 38, has worked as a music producer and Knight's brother, Jordan, 37, has continued to record.
Sunday, January 27, 2008
Saturday, January 26, 2008
Rapid Fire Tollbooth
Conquering "Goliath"
The Mars Volta have taken the art of the concept album to a new level.
The sixth-dimension latin-funk math rockers, founded by vocalist/lyricist Cedric Bixler-Zavala and guitarist/composer Omar Rodríguez-López, have returned with The Bedlam in Goliath, a relentless, uncompromising juggernaut of an album that, as they put it, “didn’t want to be born.”
The pace of Bedlam, out Jan. 29 on Universal Motown Records, is relentless, the mid-song changes orgasmically surprising, and the overall feeling is that these guys have harnessed the best parts of what they do and stepped it up a good four or five notches, despite recent lineup changes and supernatural resistance. The Mars Volta have been hit with some pretty strong hardships over the past two years, most notably the departure of drummer and percussive wizard Jon Theodore, as well as his replacement Deantoni Parks. Furthermore, Volta's progress in writing and recording Bedlam were greatly hindered by certain supernatural occurrences in Rodríguez-López’s home studio in Brooklyn - most notably, random disappearances of recorded tracks and even a flood, which wiped out a considerable amount of gear. The band believes their unfortunate turn of luck was the result of their interaction with “The Soothsayer,” a ouija-like talking board that Rodríguez-López bought as a gift for Bixler-Zavala while vacationing in Jerusalem.
Despite the supernatural treachery and misfortune, The Mars Volta have risen from the turmoil and delivered a crushing, funk-driven concept album centered on the mysterious board, relying less on their tried-and-true latin influences than breathless grooves and breakneck, jaw-dropping prog arrangements, assisted in no small part by their new drummer, 24 year old Thomas Pridgen, tearing up the backbeats like a dreadlocked Animal from the Muppets. Bixler-Zavala’s lyrics are directly inspired by the messages delivered by the troublesome ouija, although the design seems pretty much par for the course for the king of cryptic wordcraft.
From the very first second of "Aberinkula," the album's opener, Bedlam grabs you by the throat and shoves you down the rabbit hole. Middle-eastern harmonies at the end of the track segue directly into "Metatron," where we're introduced to the true mood of the album. Cedric's frantically swaying, polysyllabic verse delivery, coupled with Pridgen's otherworldly fills and stop-starts going into the chorus are only supplemented by Juan Alderete's stunning basswork and Rodríguez-López’s wah-wah wizardry. You'd think the song is over once the dreamy mid-song breakdown ceases, giving way to silence, but you'd be wrong; without warning, the song crashes back to life with a blindingly frantic pace.
I dare you to try and keep from thrashing wildly about when "Ilyena" kicks into gear around the one-minute mark. Meanwhile, the frantic, epic tornado that is "Wax Simulacra" seems a strong contender for a radio single, being one of only two tracks to clock in at under five minutes.
Not enough praise can be given to the album's fifth track, "Goliath," a fantastically reworked and amped-up version of "Rapid Fire Tollbooth" from Omar Rodríguez-López's solo album, Se Dice Bisonte, No Bufalo. The song, a fast-paced tripping nightmare with jagged beats and otherworldly, haunted, Zeppelinesque grooves is Volta at their very finest, confidently channeling the collective prowess of each member into a blinding light of goodness. Check out a hilariously awesome driveway performance of "Goliath" here.
From the funk harmonies on "Agadez" to the King Crimson/Yes vibes of "Cavalettas" (yes, ladies and gentlemen, we have a flute solo), the band is all over the place, but for once, that's a good thing. The squealing demon solos of "Askepios" are perfect counterparts to the grinding bassline and Cedric's soulful, hallucinatory sexfunk wail. This transitions into the rapid-fire delivery of "Ouroborous," where Pridgen truly shines with a percussive arrangement that sounds like three drummers in one. Until the chorus, we're not offered even a millisecond of downtime. The only song that could be called filler on Bedlam is "Tourniquet Man," but at a comparatively paltry two and a half minutes, it's an excusable, if not necessary mid-album break in the speed-demon pace, allowing the listener to finally catch their breath.
With The Bedlam in Goliath, The Mars Volta have risen above the inspired but murky noise of their last two albums, which had some good jams but ended up more filler than killer. This is clearly not a collection of music you can put on and zone out to; it demands your full attention. Once you grant it that, you'll undoubtedly agree: this album can only be called a masterpiece.
DOWNLOAD via bitTorrent
The Mars Volta have taken the art of the concept album to a new level.
The sixth-dimension latin-funk math rockers, founded by vocalist/lyricist Cedric Bixler-Zavala and guitarist/composer Omar Rodríguez-López, have returned with The Bedlam in Goliath, a relentless, uncompromising juggernaut of an album that, as they put it, “didn’t want to be born.”
The pace of Bedlam, out Jan. 29 on Universal Motown Records, is relentless, the mid-song changes orgasmically surprising, and the overall feeling is that these guys have harnessed the best parts of what they do and stepped it up a good four or five notches, despite recent lineup changes and supernatural resistance. The Mars Volta have been hit with some pretty strong hardships over the past two years, most notably the departure of drummer and percussive wizard Jon Theodore, as well as his replacement Deantoni Parks. Furthermore, Volta's progress in writing and recording Bedlam were greatly hindered by certain supernatural occurrences in Rodríguez-López’s home studio in Brooklyn - most notably, random disappearances of recorded tracks and even a flood, which wiped out a considerable amount of gear. The band believes their unfortunate turn of luck was the result of their interaction with “The Soothsayer,” a ouija-like talking board that Rodríguez-López bought as a gift for Bixler-Zavala while vacationing in Jerusalem.
Despite the supernatural treachery and misfortune, The Mars Volta have risen from the turmoil and delivered a crushing, funk-driven concept album centered on the mysterious board, relying less on their tried-and-true latin influences than breathless grooves and breakneck, jaw-dropping prog arrangements, assisted in no small part by their new drummer, 24 year old Thomas Pridgen, tearing up the backbeats like a dreadlocked Animal from the Muppets. Bixler-Zavala’s lyrics are directly inspired by the messages delivered by the troublesome ouija, although the design seems pretty much par for the course for the king of cryptic wordcraft.
From the very first second of "Aberinkula," the album's opener, Bedlam grabs you by the throat and shoves you down the rabbit hole. Middle-eastern harmonies at the end of the track segue directly into "Metatron," where we're introduced to the true mood of the album. Cedric's frantically swaying, polysyllabic verse delivery, coupled with Pridgen's otherworldly fills and stop-starts going into the chorus are only supplemented by Juan Alderete's stunning basswork and Rodríguez-López’s wah-wah wizardry. You'd think the song is over once the dreamy mid-song breakdown ceases, giving way to silence, but you'd be wrong; without warning, the song crashes back to life with a blindingly frantic pace.
I dare you to try and keep from thrashing wildly about when "Ilyena" kicks into gear around the one-minute mark. Meanwhile, the frantic, epic tornado that is "Wax Simulacra" seems a strong contender for a radio single, being one of only two tracks to clock in at under five minutes.
Not enough praise can be given to the album's fifth track, "Goliath," a fantastically reworked and amped-up version of "Rapid Fire Tollbooth" from Omar Rodríguez-López's solo album, Se Dice Bisonte, No Bufalo. The song, a fast-paced tripping nightmare with jagged beats and otherworldly, haunted, Zeppelinesque grooves is Volta at their very finest, confidently channeling the collective prowess of each member into a blinding light of goodness. Check out a hilariously awesome driveway performance of "Goliath" here.
From the funk harmonies on "Agadez" to the King Crimson/Yes vibes of "Cavalettas" (yes, ladies and gentlemen, we have a flute solo), the band is all over the place, but for once, that's a good thing. The squealing demon solos of "Askepios" are perfect counterparts to the grinding bassline and Cedric's soulful, hallucinatory sexfunk wail. This transitions into the rapid-fire delivery of "Ouroborous," where Pridgen truly shines with a percussive arrangement that sounds like three drummers in one. Until the chorus, we're not offered even a millisecond of downtime. The only song that could be called filler on Bedlam is "Tourniquet Man," but at a comparatively paltry two and a half minutes, it's an excusable, if not necessary mid-album break in the speed-demon pace, allowing the listener to finally catch their breath.
With The Bedlam in Goliath, The Mars Volta have risen above the inspired but murky noise of their last two albums, which had some good jams but ended up more filler than killer. This is clearly not a collection of music you can put on and zone out to; it demands your full attention. Once you grant it that, you'll undoubtedly agree: this album can only be called a masterpiece.
DOWNLOAD via bitTorrent
Labels:
bedlam in goliath,
crave online,
mars volta,
torrent
Thursday, January 24, 2008
Closer To The Sun
Marijuana Vending Machines Opening For Business in LA
Holy crap, what country is LA in? I mean, last time I was there I was surprised enough at the billboards offering medicinal marijuana cards, but this is insane. Starting on Monday, people who have medical conditions such as glaucoma, cancer, and the deadly not-stoned-enough virus can start getting their fat buds from special "AVMs."
These electronic drug dealers won't be out on the street next to a Pepsi machine, of course. No, they'll be "housed in standalone rooms, abutting two dispensaries and protected by round-the-clock security guards." To use them, you'll need to go with a prescription in hand, get fingerprinted and get a prepaid credit card that's loaded up with your dosage and what strain of weed you want. Yeah, no joke, the pharmacists in LA give you a choice between OG Kush and Granddaddy Purple. In the future, the machines may also be outfitted to sell other popular drugs such as Viagra, Vicodin and Propecia. Combine all four for a really interesting night that'll also slowly grow your hair back!
And here I was thinking New York City was a liberal town. When do we get weed vending machines, Bloomberg? Huh?
World's First Weed ATM
Most of your essentials are already distributed by vending machines: condoms, electronics, luscious 1-calorie Tab... But now, you can finally get what you really need: medical marijuana, from Anytime Vending Machines.
AVMs are 24/7 machines housed in standalone rooms, abutting two dispensaries and protected by round-the-clock security guards -- like ATMs for people combating psychological withdrawal with a physical one. After cinching up your doctor's consultation, hit an AVM location to get your prescription approved, fingerprint taken, and a prepaid credit card loaded with your profile: dosage (3.5 or 7 grams, up to 1oz a week) and strain preference (choice of five, including OG Cush and Granddaddy Purple, the mildly hallucinogenic forebear to Prince). Then day or night, all you do is hit a machine and walk away with enough vacuum-sealed, plastic-encapsulated cheeba to adequately treat your illness, and guarantee your car never smells like new leather again.
The AVMs are already in place at their respective dispensaries and will be fully-operational by Monday, though their vestibules are still under construction; future plans include machine-vended pharmaceuticals like Vicodin, Viagra, and Propecia -- for when the excessive chemicals in Tab have wracked you with pain, limpness, and baldness.
MIA - "Paper Planes ft. M.anifest (Muju Messiah's Louder Than Bombs edit)
Holy crap, what country is LA in? I mean, last time I was there I was surprised enough at the billboards offering medicinal marijuana cards, but this is insane. Starting on Monday, people who have medical conditions such as glaucoma, cancer, and the deadly not-stoned-enough virus can start getting their fat buds from special "AVMs."
These electronic drug dealers won't be out on the street next to a Pepsi machine, of course. No, they'll be "housed in standalone rooms, abutting two dispensaries and protected by round-the-clock security guards." To use them, you'll need to go with a prescription in hand, get fingerprinted and get a prepaid credit card that's loaded up with your dosage and what strain of weed you want. Yeah, no joke, the pharmacists in LA give you a choice between OG Kush and Granddaddy Purple. In the future, the machines may also be outfitted to sell other popular drugs such as Viagra, Vicodin and Propecia. Combine all four for a really interesting night that'll also slowly grow your hair back!
And here I was thinking New York City was a liberal town. When do we get weed vending machines, Bloomberg? Huh?
World's First Weed ATM
Most of your essentials are already distributed by vending machines: condoms, electronics, luscious 1-calorie Tab... But now, you can finally get what you really need: medical marijuana, from Anytime Vending Machines.
AVMs are 24/7 machines housed in standalone rooms, abutting two dispensaries and protected by round-the-clock security guards -- like ATMs for people combating psychological withdrawal with a physical one. After cinching up your doctor's consultation, hit an AVM location to get your prescription approved, fingerprint taken, and a prepaid credit card loaded with your profile: dosage (3.5 or 7 grams, up to 1oz a week) and strain preference (choice of five, including OG Cush and Granddaddy Purple, the mildly hallucinogenic forebear to Prince). Then day or night, all you do is hit a machine and walk away with enough vacuum-sealed, plastic-encapsulated cheeba to adequately treat your illness, and guarantee your car never smells like new leather again.
The AVMs are already in place at their respective dispensaries and will be fully-operational by Monday, though their vestibules are still under construction; future plans include machine-vended pharmaceuticals like Vicodin, Viagra, and Propecia -- for when the excessive chemicals in Tab have wracked you with pain, limpness, and baldness.
MIA - "Paper Planes ft. M.anifest (Muju Messiah's Louder Than Bombs edit)
Labels:
aim,
california,
medicinal marijuana,
mia,
paper planes,
vending machine,
weed
Tuesday, January 22, 2008
Pass The Dutchie
British DJ is given court date
DJ Grooverider will appear in the Dubai Court of First Instance on his first hearing on January 27 to face charges of possessing drugs and pornographic DVDs, 7DAYS learned yesterday.
“He will face a possession charge and although blood tests show he took drugs he took them outside the UAE and so this is not under our jurisdiction,” a source at Dubai Public Prosecution said. The 40-year-old drum and bass guru, whose real name is Raymond Bingham, was arrested at Dubai Airport on November 23, after flying in to play a gig at the city’s Lodge nightclub.
Sources said customs officials found pornographic DVDs and cannabis on him after he was searched. Grooverider, who is currently being held at Dubai Airport jail, is the host of the weekly drum and bass radio show ‘Fabio and Grooverider’ on BBC Radio 1.
N.E.R.D. - Everybody Noes
Cam'ron - Pass da Dutchie
DJ Grooverider will appear in the Dubai Court of First Instance on his first hearing on January 27 to face charges of possessing drugs and pornographic DVDs, 7DAYS learned yesterday.
“He will face a possession charge and although blood tests show he took drugs he took them outside the UAE and so this is not under our jurisdiction,” a source at Dubai Public Prosecution said. The 40-year-old drum and bass guru, whose real name is Raymond Bingham, was arrested at Dubai Airport on November 23, after flying in to play a gig at the city’s Lodge nightclub.
Sources said customs officials found pornographic DVDs and cannabis on him after he was searched. Grooverider, who is currently being held at Dubai Airport jail, is the host of the weekly drum and bass radio show ‘Fabio and Grooverider’ on BBC Radio 1.
N.E.R.D. - Everybody Noes
Cam'ron - Pass da Dutchie
Labels:
cam'ron,
dubai,
grooverider,
nerd,
pass the dutchie
Monday, January 21, 2008
Where's Jack The Ripper
Radio DJ’s ordeal: ‘I want it to end’
BBC Radio One DJ Raymond Bingham aka Grooverider, who was arrested at the Dubai airport on November 23 for carrying cannabis and pornographic material said he was coping well in jail here.
"I’m alright, it could have definitely been worse. I spend my time reading and catching up on things in here," he said.
"I have no clue what’s happening on the outside, but I hope for all this to end soon," he added.
Bingham, 40, who is known as the ‘Godfather of Drum and Bass’ (electronic dance music), expressed dismay at British Consulate officials in Dubai.
"The British Consulate officials are a joke. They just threw me leaflets and that was that," said Bingham. "This is ridiculous. I must have forgotten the spliff. It was a small amount. Back home I would not even get prosecuted."
The British Consulate declined to comment on the case but according to Simon Goldsmith, second secretary, political and media affairs, it is offering consular assistance.
The consulate’s website offers clear warning about what it can – and can’t – do to help British citizens.
Bingham, who was to perform at the Lodge on November 23, was on his second visit to the city. "I just want this to end and leave, I never want to come back."
Bingham could be facing four years in jail in Dubai. The court date has not been disclosed yet.
Billy Lane - 916 Junglist Show 01.16.2008 featuring DJ Lotis
BBC Radio One DJ Raymond Bingham aka Grooverider, who was arrested at the Dubai airport on November 23 for carrying cannabis and pornographic material said he was coping well in jail here.
"I’m alright, it could have definitely been worse. I spend my time reading and catching up on things in here," he said.
"I have no clue what’s happening on the outside, but I hope for all this to end soon," he added.
Bingham, 40, who is known as the ‘Godfather of Drum and Bass’ (electronic dance music), expressed dismay at British Consulate officials in Dubai.
"The British Consulate officials are a joke. They just threw me leaflets and that was that," said Bingham. "This is ridiculous. I must have forgotten the spliff. It was a small amount. Back home I would not even get prosecuted."
The British Consulate declined to comment on the case but according to Simon Goldsmith, second secretary, political and media affairs, it is offering consular assistance.
The consulate’s website offers clear warning about what it can – and can’t – do to help British citizens.
Bingham, who was to perform at the Lodge on November 23, was on his second visit to the city. "I just want this to end and leave, I never want to come back."
Bingham could be facing four years in jail in Dubai. The court date has not been disclosed yet.
Billy Lane - 916 Junglist Show 01.16.2008 featuring DJ Lotis
Labels:
916 junglist,
billy lane,
grooverider,
lotis,
radio 1
Journey To The Center Of The Planet
Evolving and Mutating, Dubstep Splits Cells and Gives Life to Dance Floors
You could tell this wasn’t a normal dance party because the music kept doing something strange: stopping. The record would spin backward, the dancers would cheer, the D.J. would pause, and then the song would start again, from the top. This crowd-teasing technique — the rewind — has long been a major element of reggae concerts and parties. And as a few hundred dancers were reminded on Friday night, it also lives on in the reggae-influenced electronic genre known as dubstep, which has sprouted around London over the last few years.
The location was Love, a subterranean nightclub in Greenwich Village. The party was Dub War, a monthly get-together for the obsessed and the curious. And Friday’s headliner was D1, a dubstep producer and D.J. from Fulham, in West London; the gig was billed as his American debut.
On paper the labyrinth of British dance genres and microgenres can seem hopelessly complicated. But at Love D1 emphasized the basics, and he got a big cheer every time he dropped one of the monstrous bass lines that dubstep is known for. Although “bass line” scarcely seems like the right term: the timbres are scrambled and the tones are obliterated; instead of a melodic groove, you get a huge, serrated blob.
Dubstep is one more aftershock of an explosion that happened in the early 1990s, when British producers drew from electronic dance music and dance-hall reggae to create a furiously syncopated genre called jungle — and, later, drum and bass. Since then the sound has been mutating, spinning off new genres as producers and D.J.s change their priorities: hot declaration versus cool abstraction; voices versus beats; fits and starts versus nonstop dancing.
Earlier this decade grime emerged, with dirty bass lines and sparse beats that left plenty of room for rappers. Dubstep is nimbler and lighter, with skittering beats that hint at 1990s-era syncopation without sounding busy. One dubstep producer, Burial, has converted some American listeners with an excellent pair of murky, melancholy albums that seem designed for bedroom (or iPod) listening.
By contrast, the party on Friday showed off the genre’s gregarious side, thanks partly to those frequent rewinds. The party’s hosts were a pair of D.J.s, Joe Nice and Dave Q, and an M.C., Juakali, who stayed in the booth during D1’s set, providing public-service announcements (“Bass line!”) and hospitable encouragement (“D1!”).
D1 specializes in moody, bittersweet tracks that sometimes emphasize dubstep’s debt to house music. Last year he released “Trial Run” (Tempa), a six-track EP that included “Mind and Soul,” which already feels like a dubstep classic. It’s based on pitched-up snippets of “Give It Back,” by the Atlanta-based R&B singer Gaelle, with brisk drums that keep switching in and out of half-time. (Like many dubstep tracks, this one makes it difficult to say which is the true tempo.)
“Mind and Soul” is light and sublime and (thanks to those sped-up vocals) girly, but on Friday night, D1 mainly stuck to heavier, tougher tracks, which seemed to please the crowd. Often the warped bass lines pulled the tracks toward hard techno, even as Juakali’s patter underscored the link to dancehall reggae. And by the end of the set, the term dubstep was starting to seem too big, or too vague. This is cellular music, and it grows by dividing. How long will dubstep stay whole?
ALSO check out this show Friday if you're in the Phoenix area:
Billy Lane - Wonderbread Mix (01/08 New Year's Eve mix on 107.9 the End)
You could tell this wasn’t a normal dance party because the music kept doing something strange: stopping. The record would spin backward, the dancers would cheer, the D.J. would pause, and then the song would start again, from the top. This crowd-teasing technique — the rewind — has long been a major element of reggae concerts and parties. And as a few hundred dancers were reminded on Friday night, it also lives on in the reggae-influenced electronic genre known as dubstep, which has sprouted around London over the last few years.
The location was Love, a subterranean nightclub in Greenwich Village. The party was Dub War, a monthly get-together for the obsessed and the curious. And Friday’s headliner was D1, a dubstep producer and D.J. from Fulham, in West London; the gig was billed as his American debut.
On paper the labyrinth of British dance genres and microgenres can seem hopelessly complicated. But at Love D1 emphasized the basics, and he got a big cheer every time he dropped one of the monstrous bass lines that dubstep is known for. Although “bass line” scarcely seems like the right term: the timbres are scrambled and the tones are obliterated; instead of a melodic groove, you get a huge, serrated blob.
Dubstep is one more aftershock of an explosion that happened in the early 1990s, when British producers drew from electronic dance music and dance-hall reggae to create a furiously syncopated genre called jungle — and, later, drum and bass. Since then the sound has been mutating, spinning off new genres as producers and D.J.s change their priorities: hot declaration versus cool abstraction; voices versus beats; fits and starts versus nonstop dancing.
Earlier this decade grime emerged, with dirty bass lines and sparse beats that left plenty of room for rappers. Dubstep is nimbler and lighter, with skittering beats that hint at 1990s-era syncopation without sounding busy. One dubstep producer, Burial, has converted some American listeners with an excellent pair of murky, melancholy albums that seem designed for bedroom (or iPod) listening.
By contrast, the party on Friday showed off the genre’s gregarious side, thanks partly to those frequent rewinds. The party’s hosts were a pair of D.J.s, Joe Nice and Dave Q, and an M.C., Juakali, who stayed in the booth during D1’s set, providing public-service announcements (“Bass line!”) and hospitable encouragement (“D1!”).
D1 specializes in moody, bittersweet tracks that sometimes emphasize dubstep’s debt to house music. Last year he released “Trial Run” (Tempa), a six-track EP that included “Mind and Soul,” which already feels like a dubstep classic. It’s based on pitched-up snippets of “Give It Back,” by the Atlanta-based R&B singer Gaelle, with brisk drums that keep switching in and out of half-time. (Like many dubstep tracks, this one makes it difficult to say which is the true tempo.)
“Mind and Soul” is light and sublime and (thanks to those sped-up vocals) girly, but on Friday night, D1 mainly stuck to heavier, tougher tracks, which seemed to please the crowd. Often the warped bass lines pulled the tracks toward hard techno, even as Juakali’s patter underscored the link to dancehall reggae. And by the end of the set, the term dubstep was starting to seem too big, or too vague. This is cellular music, and it grows by dividing. How long will dubstep stay whole?
ALSO check out this show Friday if you're in the Phoenix area:
Billy Lane - Wonderbread Mix (01/08 New Year's Eve mix on 107.9 the End)
Labels:
12th planet,
b foundation,
billy lane,
dirty heads,
dogboy,
dubstep,
fred green,
infiltrata,
ny times,
phoenix,
rac
Saturday, January 19, 2008
B8ngr
Man marries pony and has a full emotional and physical relationship!
What is there to do in Missouri? Phuck animals, that's what!
It's even legal Surprised
The BBC (British Broadcasting Corporation) filmed a documentary following the loving of animals.
In the show one of the men marries a pony called Pixel and has a full emotional and physical relationship.
These animal lovers are called Zoophiliacs.
I wonder how these people discover their love for animals. I would imagine it goes something like this...
Location: Small farm town in Missouri, local bar.
Time: 1am
Total number of females in bar: 2
Number of beers before above females are attractive: Infinite
Scenario:
Bunch of guys drinking in a bar and they're getting pretty phucked up. Drinking of course means that several are horny. They check out the women in the bar and they're still not attractive. So drink more…
Time: 3 am
Check out the women again, still not attractive. Phuck!
Bar is closing, time to go home. Two guys get in their cars (DUI, oh yes) and drive home.
Driving down the road one guy says to the other "look at her"
The other guy looks for a girl, but can't see one and says "where, where?"
"Over there, over there, the horse"
They pull over and start looking around. No-one else is around so they approach the horse, their anticipation "rising"
What happens next is too phucked up for even me to talk about!
But this stuff does happen!
It is estimated than 1 in 3 boys have experimented with animals in rural areas.
What is there to do in Missouri? Phuck animals, that's what!
It's even legal Surprised
The BBC (British Broadcasting Corporation) filmed a documentary following the loving of animals.
In the show one of the men marries a pony called Pixel and has a full emotional and physical relationship.
These animal lovers are called Zoophiliacs.
I wonder how these people discover their love for animals. I would imagine it goes something like this...
Location: Small farm town in Missouri, local bar.
Time: 1am
Total number of females in bar: 2
Number of beers before above females are attractive: Infinite
Scenario:
Bunch of guys drinking in a bar and they're getting pretty phucked up. Drinking of course means that several are horny. They check out the women in the bar and they're still not attractive. So drink more…
Time: 3 am
Check out the women again, still not attractive. Phuck!
Bar is closing, time to go home. Two guys get in their cars (DUI, oh yes) and drive home.
Driving down the road one guy says to the other "look at her"
The other guy looks for a girl, but can't see one and says "where, where?"
"Over there, over there, the horse"
They pull over and start looking around. No-one else is around so they approach the horse, their anticipation "rising"
What happens next is too phucked up for even me to talk about!
But this stuff does happen!
It is estimated than 1 in 3 boys have experimented with animals in rural areas.
Labels:
2 girls 1 cup,
missouri,
rapist glasses,
thats phucked,
viral
These eggs are disgusting! This chicken should be ashamed of himself!
Today i went to the Cosmo Dog Park in Gilbert, AZ. I was told Oprah voted it #1 dog park in the country. It had the most advanced jungle gym for kids too. Had a 8' tall climbing wall, which seemed pretty f'n dangerous for kids, and this pyramid looking thing made out of ropes that you can climb on.
Also as I was leaving a kid was running to the bathroom because he had just got bitten by a dog.
Also as I was leaving a kid was running to the bathroom because he had just got bitten by a dog.
Labels:
arizona,
cosmo dog park,
gilbert,
oprah,
playgrounds
Friday, January 18, 2008
because they're famous
Labels:
a-trak,
bob marley,
chloe sevigny,
douchebag,
hippy girls,
parties,
pictures,
raves,
sunglasses,
tattoos
Monday, January 14, 2008
Upper Playground
For those of you that don't know, the Sacramento store of Upper Playground has opened.
2524 J St.
Sacramento, CA 95816
916.400.3229
2524 J St.
Sacramento, CA 95816
916.400.3229
The Mirror's Truth
Alex Pardee, whom is best known for his artwork on The Used's album In Love And Death, collaborations with the Cardboard City crew, and his contributions to bay area art movement. Today he has released the cover for In Flames' new slbum 'A Sense Of Purpose'.
My O Face
Last night I went and checked out the Blue Man Group at the US Airways Center in Phoenix. I've seen their Vegas show before so I somewhat knew what to expect. I was curious as to who the opening act was. The first 30 minutes of the show I was amazed. This really good dj/ vj by the name of Mike Relm was the opening act for the night.
Very impressive stuff:
Very impressive stuff:
Labels:
blue man group,
dj,
mash-up,
mike relm,
phoenix,
san francisco,
us airways center,
vj
Wednesday, January 09, 2008
Soy Is Making Kids Gay
There's a slow poison out there that's severely damaging our children and threatening to tear apart our culture. The ironic part is, it's a "health food," one of our most popular.
Now, I'm a health-food guy, a fanatic who seldom allows anything into his kitchen unless it's organic. I state my bias here just so you'll know I'm not anti-health food.
The dangerous food I'm speaking of is soy. Soybean products are feminizing, and they're all over the place. You can hardly escape them anymore.
I have nothing against an occasional soy snack. Soy is nutritious and contains lots of good things. Unfortunately, when you eat or drink a lot of soy stuff, you're also getting substantial quantities of estrogens.
Estrogens are female hormones. If you're a woman, you're flooding your system with a substance it can't handle in surplus. If you're a man, you're suppressing your masculinity and stimulating your "female side," physically and mentally.
In fetal development, the default is being female. All humans (even in old age) tend toward femininity. The main thing that keeps men from diverging into the female pattern is testosterone, and testosterone is suppressed by an excess of estrogen.
If you're a grownup, you're already developed, and you're able to fight off some of the damaging effects of soy. Babies aren't so fortunate. Research is now showing that when you feed your baby soy formula, you're giving him or her the equivalent of five birth control pills a day. A baby's endocrine system just can't cope with that kind of massive assault, so some damage is inevitable. At the extreme, the damage can be fatal.
Soy is feminizing, and commonly leads to a decrease in the size of the penis, sexual confusion and homosexuality. That's why most of the medical (not socio-spiritual) blame for today's rise in homosexuality must fall upon the rise in soy formula and other soy products. (Most babies are bottle-fed during some part of their infancy, and one-fourth of them are getting soy milk!) Homosexuals often argue that their homosexuality is inborn because "I can't remember a time when I wasn't homosexual." No, homosexuality is always deviant. But now many of them can truthfully say that they can't remember a time when excess estrogen wasn't influencing them.
Doctors used to hope soy would reduce hot flashes, prevent cancer and heart disease, and save millions in the Third World from starvation. That was before they knew much about long-term soy use. Now we know it's a classic example of a cure that's worse than the disease. For example, if your baby gets colic from cow's milk, do you switch him to soy milk? Don't even think about it. His phytoestrogen level will jump to 20 times normal. If he is a she, brace yourself for watching her reach menarche as young as seven, robbing her of years of childhood. If he is a boy, it's far worse: He may not reach puberty till much later than normal.
Research in 2000 showed that a soy-based diet at any age can lead to a weak thyroid, which commonly produces heart problems and excess fat. Could this explain the dramatic increase in obesity today?
Recent research on rats shows testicular atrophy, infertility and uterus hypertrophy (enlargement). This helps explain the infertility epidemic and the sudden growth in fertility clinics. But alas, by the time a soy-damaged infant has grown to adulthood and wants to marry, it's too late to get fixed by a fertility clinic.
Worse, there's now scientific evidence that estrogen ingredients in soy products may be boosting the rapidly rising incidence of leukemia in children. In the latest year we have numbers for, new cases in the U.S. jumped 27 percent. In one year!
There's also a serious connection between soy and cancer in adults – especially breast cancer. That's why the governments of Israel, the UK, France and New Zealand are already cracking down hard on soy.
In sad contrast, 60 percent of the refined foods in U.S. supermarkets now contain soy. Worse, soy use may double in the next few years because (last I heard) the out-of-touch medicrats in the FDA hierarchy are considering allowing manufacturers of cereal, energy bars, fake milk, fake yogurt, etc., to claim that "soy prevents cancer." It doesn't.
P.S.: Soy sauce is fine. Unlike soy milk, it's perfectly safe because it's fermented, which changes its molecular structure. Miso, natto and tempeh are also OK, but avoid tofu.
Now, I'm a health-food guy, a fanatic who seldom allows anything into his kitchen unless it's organic. I state my bias here just so you'll know I'm not anti-health food.
The dangerous food I'm speaking of is soy. Soybean products are feminizing, and they're all over the place. You can hardly escape them anymore.
I have nothing against an occasional soy snack. Soy is nutritious and contains lots of good things. Unfortunately, when you eat or drink a lot of soy stuff, you're also getting substantial quantities of estrogens.
Estrogens are female hormones. If you're a woman, you're flooding your system with a substance it can't handle in surplus. If you're a man, you're suppressing your masculinity and stimulating your "female side," physically and mentally.
In fetal development, the default is being female. All humans (even in old age) tend toward femininity. The main thing that keeps men from diverging into the female pattern is testosterone, and testosterone is suppressed by an excess of estrogen.
If you're a grownup, you're already developed, and you're able to fight off some of the damaging effects of soy. Babies aren't so fortunate. Research is now showing that when you feed your baby soy formula, you're giving him or her the equivalent of five birth control pills a day. A baby's endocrine system just can't cope with that kind of massive assault, so some damage is inevitable. At the extreme, the damage can be fatal.
Soy is feminizing, and commonly leads to a decrease in the size of the penis, sexual confusion and homosexuality. That's why most of the medical (not socio-spiritual) blame for today's rise in homosexuality must fall upon the rise in soy formula and other soy products. (Most babies are bottle-fed during some part of their infancy, and one-fourth of them are getting soy milk!) Homosexuals often argue that their homosexuality is inborn because "I can't remember a time when I wasn't homosexual." No, homosexuality is always deviant. But now many of them can truthfully say that they can't remember a time when excess estrogen wasn't influencing them.
Doctors used to hope soy would reduce hot flashes, prevent cancer and heart disease, and save millions in the Third World from starvation. That was before they knew much about long-term soy use. Now we know it's a classic example of a cure that's worse than the disease. For example, if your baby gets colic from cow's milk, do you switch him to soy milk? Don't even think about it. His phytoestrogen level will jump to 20 times normal. If he is a she, brace yourself for watching her reach menarche as young as seven, robbing her of years of childhood. If he is a boy, it's far worse: He may not reach puberty till much later than normal.
Research in 2000 showed that a soy-based diet at any age can lead to a weak thyroid, which commonly produces heart problems and excess fat. Could this explain the dramatic increase in obesity today?
Recent research on rats shows testicular atrophy, infertility and uterus hypertrophy (enlargement). This helps explain the infertility epidemic and the sudden growth in fertility clinics. But alas, by the time a soy-damaged infant has grown to adulthood and wants to marry, it's too late to get fixed by a fertility clinic.
Worse, there's now scientific evidence that estrogen ingredients in soy products may be boosting the rapidly rising incidence of leukemia in children. In the latest year we have numbers for, new cases in the U.S. jumped 27 percent. In one year!
There's also a serious connection between soy and cancer in adults – especially breast cancer. That's why the governments of Israel, the UK, France and New Zealand are already cracking down hard on soy.
In sad contrast, 60 percent of the refined foods in U.S. supermarkets now contain soy. Worse, soy use may double in the next few years because (last I heard) the out-of-touch medicrats in the FDA hierarchy are considering allowing manufacturers of cereal, energy bars, fake milk, fake yogurt, etc., to claim that "soy prevents cancer." It doesn't.
P.S.: Soy sauce is fine. Unlike soy milk, it's perfectly safe because it's fermented, which changes its molecular structure. Miso, natto and tempeh are also OK, but avoid tofu.
Tuesday, January 08, 2008
Doc Of The Bay
My friend asked me the other day to write up directions to some cool spots in SF & Berkeley. Figured it could help someone else too.
get off at university in Berkeley and turn left
go all the way till it dead ends at the college and turn right at Shattuck ave
turn left at Durant ave
go up about 3 ½ blocks and there will parking plaza on the right hand side
exit parking garage on the same side you came in and walk ½ block east
you will walk up to telegraph ave and then turn right
fat slice will be about ½ block up on the left hand side and head shop w/ big ass bong will be right across the street
keep walking south on telegraph for about 4 or 5 blocks and there will be many other random shops (amoeba, Rasputin, head shops, tattoos, etc.)
walk back to car and hopefully you remembered to get your parking ticket validated
exit garage towards your left and then turn right onto haste street
take that back to Shattuck ave and then turn right
turn left onto university and take that till you get back i80 west towards san fran
FROM HERE I’ll direct you to your HOTEL
Take the Fremont street exit and turn left
It will kind of circle around but is still Fremont
Eventually it will turn into Front st. once you pass over Market
One block up, turn left onto Pine street
Go up approx. 7 blocks and turn left onto Stockton Street
Go up 1 block and turn left on bush street
Hotel des Arts is about 1 ½ blocks up on Bush
TOWARDS HAIGHT/ ASHBURY & GOLDEN GATE PARK (japanese tea garden/ art museum, etc.)
Head east on Bush street
Turn left Kearny street
Go up 1 block and turn left at Pine street
Go another 12 blocks and turn left at Van Ness
Go up 7 blocks and turn right at geary blvd
Drive for a bit and Turn left at stanyan street
9 blocks up is haight street
but you want to go another block and a half and on the right hand side will be a parking lot, that is right next to, what looks like a basketball gym or something
if you walk north back to height street and turn right, and if you walk for blocks there are amoeba, more fat slice, giant/ kid robot/ villains, anything else you can think of)
to the left of where haight st. is, is golden gate park
pretty much I can’t give directions while in the park but drive around (there are signs) for Japanese tea garden, wild buffalo, etc. sure you will figure it out
once you are done in that area, the real bay area ocean is not far away
get back on Geary and turn left
go all the way until it dead ends and turn left
you’ll pass a cliffhouse restaurant on the right and if you continue, there will be many many beach stops you pull over at
JUST PICK!
Once you are on geary and you pass over Park Presidio (aka highway 1), and make your first right then your first left, you will be on Clement Street
If you go west on Clement Street, eventually on your left hand side is that crazy fish store but its not far from where you start
Once clement dead ends, either turn around if you haven’t found the store, or turn left then make your first left or right to get back on Geary (left if you want the ocean, right if you want the city)
CHINATOWN
Turn onto bush going east and then turn onto Kearny st
Go up 1 block & turn right onto grant street
Go 7 blocks and turn left and find parking (you’re in the middle of Chinatown)
Mmmkay…that waffle house I could not get the name right for directions but if ound general area (any moron can find it haha)
Head east on bush street
Turn left on kearny street
Go 1 block and turn left on Pine Street
Go 1 more block & turn right on Grant ave
Turn left on Columbus ave
Drive a bunch of blocks
Once you pass over Bay Street, start looking on your left for that waffle place. It will be somewhere between bay and when you dead end. PAY Attention!!!
NIGHTLIFE
Height ashbury area has a bunch of clubs & shit
But if you go bush, to Kearny, to pine street, and take that until Polk street
At Bush & Kearny, there a bomb ass fish & chips place called 7up Fish & Chips, and if you’re in the mood for martini’s, go to Club Bush at the same intersection area
Pretty much you can cruise Haight Street and find a bunch of cool shit
Magnolia Brewery @ 1398 Haight St.
Hanabi Sushi @ 509 Haight St.
Within the couple of blocks on each side of Hanabi, there are many head shops, restaurants, & shopping
JAPANtown
If you head down Pine street, make a left @ Gough
Go 5 blocks and turn right onto Geary Blvd
Go until you reach fillmore and turn right
Turn right into the parking garage and you are right under the japantown mall
EVERYTHING ELSE IN THE CITY IS TOURISTY AREA or maybe I forgot how cool it is. If I remember anything else worth stopping at, I’ll let you know, otherwise enjoy your stay & have fun.
get off at university in Berkeley and turn left
go all the way till it dead ends at the college and turn right at Shattuck ave
turn left at Durant ave
go up about 3 ½ blocks and there will parking plaza on the right hand side
exit parking garage on the same side you came in and walk ½ block east
you will walk up to telegraph ave and then turn right
fat slice will be about ½ block up on the left hand side and head shop w/ big ass bong will be right across the street
keep walking south on telegraph for about 4 or 5 blocks and there will be many other random shops (amoeba, Rasputin, head shops, tattoos, etc.)
walk back to car and hopefully you remembered to get your parking ticket validated
exit garage towards your left and then turn right onto haste street
take that back to Shattuck ave and then turn right
turn left onto university and take that till you get back i80 west towards san fran
FROM HERE I’ll direct you to your HOTEL
Take the Fremont street exit and turn left
It will kind of circle around but is still Fremont
Eventually it will turn into Front st. once you pass over Market
One block up, turn left onto Pine street
Go up approx. 7 blocks and turn left onto Stockton Street
Go up 1 block and turn left on bush street
Hotel des Arts is about 1 ½ blocks up on Bush
TOWARDS HAIGHT/ ASHBURY & GOLDEN GATE PARK (japanese tea garden/ art museum, etc.)
Head east on Bush street
Turn left Kearny street
Go up 1 block and turn left at Pine street
Go another 12 blocks and turn left at Van Ness
Go up 7 blocks and turn right at geary blvd
Drive for a bit and Turn left at stanyan street
9 blocks up is haight street
but you want to go another block and a half and on the right hand side will be a parking lot, that is right next to, what looks like a basketball gym or something
if you walk north back to height street and turn right, and if you walk for blocks there are amoeba, more fat slice, giant/ kid robot/ villains, anything else you can think of)
to the left of where haight st. is, is golden gate park
pretty much I can’t give directions while in the park but drive around (there are signs) for Japanese tea garden, wild buffalo, etc. sure you will figure it out
once you are done in that area, the real bay area ocean is not far away
get back on Geary and turn left
go all the way until it dead ends and turn left
you’ll pass a cliffhouse restaurant on the right and if you continue, there will be many many beach stops you pull over at
JUST PICK!
Once you are on geary and you pass over Park Presidio (aka highway 1), and make your first right then your first left, you will be on Clement Street
If you go west on Clement Street, eventually on your left hand side is that crazy fish store but its not far from where you start
Once clement dead ends, either turn around if you haven’t found the store, or turn left then make your first left or right to get back on Geary (left if you want the ocean, right if you want the city)
CHINATOWN
Turn onto bush going east and then turn onto Kearny st
Go up 1 block & turn right onto grant street
Go 7 blocks and turn left and find parking (you’re in the middle of Chinatown)
Mmmkay…that waffle house I could not get the name right for directions but if ound general area (any moron can find it haha)
Head east on bush street
Turn left on kearny street
Go 1 block and turn left on Pine Street
Go 1 more block & turn right on Grant ave
Turn left on Columbus ave
Drive a bunch of blocks
Once you pass over Bay Street, start looking on your left for that waffle place. It will be somewhere between bay and when you dead end. PAY Attention!!!
NIGHTLIFE
Height ashbury area has a bunch of clubs & shit
But if you go bush, to Kearny, to pine street, and take that until Polk street
At Bush & Kearny, there a bomb ass fish & chips place called 7up Fish & Chips, and if you’re in the mood for martini’s, go to Club Bush at the same intersection area
Pretty much you can cruise Haight Street and find a bunch of cool shit
Magnolia Brewery @ 1398 Haight St.
Hanabi Sushi @ 509 Haight St.
Within the couple of blocks on each side of Hanabi, there are many head shops, restaurants, & shopping
JAPANtown
If you head down Pine street, make a left @ Gough
Go 5 blocks and turn right onto Geary Blvd
Go until you reach fillmore and turn right
Turn right into the parking garage and you are right under the japantown mall
EVERYTHING ELSE IN THE CITY IS TOURISTY AREA or maybe I forgot how cool it is. If I remember anything else worth stopping at, I’ll let you know, otherwise enjoy your stay & have fun.
Labels:
ashbury,
berkeley,
chinatown,
doc of the bay,
fillmore,
golden gate park,
haight,
hotel des arts,
japantown,
san francisco
Friday, January 04, 2008
54-46 Was My Number
Shaun Slaughter's Fuck My Mix
XYZ presents BACK2BACK SESSIONS MIX VOLUME XXV with Kozee vs. APX-1
KOZEE TRACKLISTING
Unknown - Untitled Dub
Loefah Disko Rekah - "Deep" - Medi Musik
DZ - "The Jump Off" - Dub
Headhunter - "Drop The Waste" - Tempa
The Bug feat Killa P & Flow Dan - "Skeng" - Hyperdub
Darqwan - "Warrior Stance" Texture
Bloc Party - "Where Is Home" (Burial RMX)
Martyn - "Velvet" - 3024
Ghislain Poirier - "Blazin" (Modeselektor RMX) - Scion Audio Visual
Luke Envoy - "Honour Kill" - Hotflush
Headhunter - "Sushi Brain" - Tempa
Tech Itch - "Distort" - Ascension
Chimpo - "Lock Off" - Contagious
12 Planet - "AMPM" - Dub
Antiserum - "Skullfucked" - forthcoming on Mode
APX-1 TRACKLISTING
Dennis Brown - "WestBound Train" - Third World
Cimarons - "We Are Not The Same" - Culture Press
Honey Boy Martin - "Dreader Than Dread" - Caltone
U-Roy - "Stick Together" - Upsetter
King Tubby - "King Tubbys Dub" - HeartBeat
Shark Wilson & The Basement Heaters - "Make it Reggae" - Trojan
Toots & The Maytails - "54-46 Was My Number" - Beverly's
Willie Williams - "Armageddon Time" - HeartBeat
The Techniques - "The Stalag Riddim" - Techniques Records
Sister Nancy - "Bam Bam" - Techniques Records
Marcia Aitken - "Im Still In Love" - Joe Gibbs Records
Althea & Donna - "Uptown Top Ranking" - Lightning Records
Tenor Saw - "Ring The Alarm" - Techniques Records
Courtney Melody - "Bad Boy" - Techniques Records
Rita Marley - "One Draw" - Shanachie Recordings
Johnny Dollar - "Diseases / Mad Mad Riddim" - Studio One
Tenor Saw - "Golden Hen" - Techniques Records
Shinehead - "Ruff & Rugged" - No Choice Entertainment
NinjaMan - "Murder Dem" - Steely & Clevie
Johnny Osburne - "Buddy Bye" - Jammy's Records
Wayne Smith - "Under Mi Sleng Teng" - Jammy's Records
Barrington Levy - "Under Mi Sensi" - Time 1 International
Jacob Miller - "Healing of the Nation" - Soul Jazz Records
Black Uhuru - "Sinsemilla" - Island Records
Eek A Mouse - "Ganja Smuggling" - Greensleeves Records
Yellowman & Sister Nancy - "Blood Stain" - CBS
Yellowman - "Sinsemilla" - Hawkeye
BACK2BACK SESSIONS ARCHIVE
XYZ presents BACK2BACK SESSIONS MIX VOLUME XXV with Kozee vs. APX-1
KOZEE TRACKLISTING
Unknown - Untitled Dub
Loefah Disko Rekah - "Deep" - Medi Musik
DZ - "The Jump Off" - Dub
Headhunter - "Drop The Waste" - Tempa
The Bug feat Killa P & Flow Dan - "Skeng" - Hyperdub
Darqwan - "Warrior Stance" Texture
Bloc Party - "Where Is Home" (Burial RMX)
Martyn - "Velvet" - 3024
Ghislain Poirier - "Blazin" (Modeselektor RMX) - Scion Audio Visual
Luke Envoy - "Honour Kill" - Hotflush
Headhunter - "Sushi Brain" - Tempa
Tech Itch - "Distort" - Ascension
Chimpo - "Lock Off" - Contagious
12 Planet - "AMPM" - Dub
Antiserum - "Skullfucked" - forthcoming on Mode
APX-1 TRACKLISTING
Dennis Brown - "WestBound Train" - Third World
Cimarons - "We Are Not The Same" - Culture Press
Honey Boy Martin - "Dreader Than Dread" - Caltone
U-Roy - "Stick Together" - Upsetter
King Tubby - "King Tubbys Dub" - HeartBeat
Shark Wilson & The Basement Heaters - "Make it Reggae" - Trojan
Toots & The Maytails - "54-46 Was My Number" - Beverly's
Willie Williams - "Armageddon Time" - HeartBeat
The Techniques - "The Stalag Riddim" - Techniques Records
Sister Nancy - "Bam Bam" - Techniques Records
Marcia Aitken - "Im Still In Love" - Joe Gibbs Records
Althea & Donna - "Uptown Top Ranking" - Lightning Records
Tenor Saw - "Ring The Alarm" - Techniques Records
Courtney Melody - "Bad Boy" - Techniques Records
Rita Marley - "One Draw" - Shanachie Recordings
Johnny Dollar - "Diseases / Mad Mad Riddim" - Studio One
Tenor Saw - "Golden Hen" - Techniques Records
Shinehead - "Ruff & Rugged" - No Choice Entertainment
NinjaMan - "Murder Dem" - Steely & Clevie
Johnny Osburne - "Buddy Bye" - Jammy's Records
Wayne Smith - "Under Mi Sleng Teng" - Jammy's Records
Barrington Levy - "Under Mi Sensi" - Time 1 International
Jacob Miller - "Healing of the Nation" - Soul Jazz Records
Black Uhuru - "Sinsemilla" - Island Records
Eek A Mouse - "Ganja Smuggling" - Greensleeves Records
Yellowman & Sister Nancy - "Blood Stain" - CBS
Yellowman - "Sinsemilla" - Hawkeye
BACK2BACK SESSIONS ARCHIVE
Labels:
apx-1,
back2back sessions,
daft punk,
dancehall,
dub,
dubstep,
fuck fridays,
kozee,
mc xyz,
reggae,
sacramento,
shaun slaughter
Thursday, January 03, 2008
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